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Upper Austria in 1750. A fish pond reflects the overcast sky. A deep, dark forest swallows the sunlight. On a hilltop, the corpse of a hanged woman is displayed. As an example. A warning. An omen? The deeply religious and highly sensitive Agnes regards the dead woman with pity. But also with longing: she feels like a stranger in the world of her husband Wolf, whom she has just married. It is an emotionally cold world consisting of work, chores and expectations. Agnes increasingly withdraws into herself. Her internal prison becomes ever more oppressive, her melancholy more overwhelming. Soon, her only way out seems to be a shocking act of violence.

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评分:
3.0 (83人评价)

超短富特:“史诗般的恐怖片,相当严肃”(2024-06-05 上海)

Chrisvon:“费奥拉-弗兰茨似乎总是以局部的想法为驱动进行创作,却毫不关心人物整体是如何变化的。在环境上摆摆样子制造点表层焦虑,最后再弄个奇观仪式,结束。”(2024-04-11 辽宁)

东风制药厂女魔:“从漆黑的影院走到街上,走到活色生香的人群中,脑子里一直在wow,wow,wow。被震得动弹不得,回家的路上一直都在热烈地与他探讨。电影让我想起反基督者。回看与分析过去是有意思的,以此明白在社会的困境里,majority是怎样生存下来的,牺牲掉无竞争性的弱者,并冷漠地向前走。”(2024-04-07 奥地利)

Q影誌:“#Berlinale主竞赛 4+ 节奏控制得真好,就像捕猎,耐心的慢慢的悄悄的逼近猎物,时机成熟,迅猛出击,漫长的屏息后,在暴力与狂欢的华彩中戛然而止。女主集宿命与抗争于一身,既承载历史的黑暗,又警示黎明尚未到来,向死狂笑,笑出挣不脱的悲与哀。”(2024-02-22 德国)

胤祥:“#10320. 74th Berlinale-主竞赛-艺术贡献奖-摄影。这婚礼大操大办,吝啬地主跟雇工,婆媳关系,妈宝男丈夫,生娃焦虑,嫁出去的女儿泼出去的水,以及最后人血(没有馒头)的名场面,简直觉得不是在看一个奥地利片……当然本片没展开的是丈夫到底是什么问题(隐晦地暗示了一下丈夫是个同性恋),所以这片真是非常正确的电影节议题,通过讲述被压抑的女性的故事来重新书写历史,类型方面虽然都是套招,但是...”(2024-02-21 德国)

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