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Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness. (input2002/en/film/24418.html)
评分:
7.9 (113人评价)

大祝燒臾:“新人類,把其他靈長類動物的優勢並到人體里,純化新組基因,延長生命力量。令人感到殘忍且恐怖的計劃,以及自覺的排他性。/科幻影片攝影一貫優美,此片也不例外。”(2023-09-01 山西)

ajiang8081:“看过留痕”(2023-07-17 四川)

四月特吕弗:“完全失去了《银色头颅》时的对声音元素运用得妙入毫颠的惊艳。整部影片十分笨拙,父债子偿的宿命感似乎只能借由角色痛苦的姿态去展现,也未能与杂交伦理的指涉及非人道实验的控诉等完成圆融。”(2023-03-05 黑龙江)

戈尔贡佐拉:“不是用巫术魔力造的golem 是邪恶的科技掠夺生物的优良基因 被驯化的死灵写实主义Pryamokhozhdenie比银色头颅好看”(2021-10-10 )

枯川满:“太压抑”(2011-07-26 )

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